![]() Basic audio editing and looping is easily applied, and with audio scrub, you can even find your edit points by ear if you like. The onboard effects do the job, although for serious mastering, you'll be glad of the AU/VST support. ![]() It makes it easy to put together a CD master, with crossfades, ISRCs and track- by-track and global insert processing. Once you've found a setup that works, use it as a template.ĭespite being quite 'different', DSP-Quattro is admirably self-explanatory in many respects, and the precise yet stylish Logic-style graphics feel instantly familiar. Ultimately, we'd prefer a global workspace-based layout rather than DSP-Quattro's 'start from scratch with each new file' approach, but the Project file type does recall your exact window layout. On paper, this might all sound slightly odd, but it's an extremely flexible system, and with four internal stereo channels and hardware routing built into many of the modules, creative routing setups can be built to an extent that we've not seen in an audio editor before. You can freely arrange all of these and hide, deactivate and generally organise stuff in the Documents window, which lists all of the active Generators. These include the Input, Input Recorder, Virtual Instrument and Audio File Player modules, which feed into the Audio Output and Output Recorder modules. The main thing you should understand about DSP-Quattro is that it's a modular system, with sound-producing modules called Audio Generators.
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